Thing is, I love Douglas Adams.  He was great.  A very clever man, very   nice, very funny.  A superb comic writer; possibly the greatest comic   prose stylist since P. G. Wodehouse.  An amiable and persuasive advocate   of science and atheism.  Creator of novels that I've read and re-read,   radio shows that I've listened to over and over again, etc.  A great   guy.
But I don't like 'Shada'.  It's pretentious.  And naff.  A combination   exemplified in that bit of description of Chris Parsons in the script:   "likes Bach and Status Quo."  Oh dear.
And all that guff from Parsons about "doors that remain permanently   closed to one".  What a load of Student Common Room wank.  How amazing   that Chris Bidmead is the guy who reguarly gets accused of pumping the   series full of precious, science-fixated toss!
And Adams is clearly having a poke at sci-fi writers who write lazy   plots (all that satirical jabbing at the idea of taking over the   universe) while also not bothering to give Skagra any real motivation or   any sensible goals.  Robert Holmes had done the uber-ironic pisstaking  of silly  sci-fi names/plots/villains etc before this, and better, and  without  letting the audience think he was smirking.  In 'Shada', Adams  seems to  be openly smirking at the audience, or looking over their  heads at his  Cambridge mates going "look chaps!  What merkins they are -  they take  this rubbish seriously!"  Someone who laughs at their own  jokes is one  thing.  Someone who laughs at you for laughing at their  jokes is  another.  Someone who laughs at you for laughing at their  deliberately  unfunny jokes is just, well, taking the piss.
There are some genuinely funny/clever glimpses of the real Adams (the   scene where the Doctor fools Skagra's ship into thinking he's dead) and  an attempt at a satire of literal mindedness... but it all seems so,  well, literal.
Meanwhile, Tom and Lalla alternate between openly mocking everything   around them and pretending that they're in an adaptation of an Anthony   Trollope novel (which both charms and repels me simultaneously) and   Christopher Neame (better known from Secret Army, which was grim and gritty and all those other things that start with "gr" that Doctor Who   fans pretend to like) commits skin-crawling dignitycide by walking   around in Cambridge dressed as a charity shop Ziggy Stardust.  Mind you,  if you've seen in in Dracula A.D.1972.....
And Claire is just another dim, girly sidekick despite supposedly being a   Physics postgrad student.  And there's a real snobbish condescension  in  the way that the College Porter is mocked at the expense of all the   posh, cerebral characters.
Thank goodness it was cancelled and DNA got to cannibalise it for parts   when writing his infinitely superior Dirk Gently novels.  Really, I'd   rather have had 'Doctor Who and the Krikkit Men'.
 
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